Kostryna, Ukraine

Kostryna is a small village in the north-western part of Zakarpattya region in Ukraine, close to the borders with Slovakia and Poland. The church stands at the top of a hill above the village in a clearing among the trees. New wooden steps added in 2013 lead the way up the hill from the road. The church is a fascinating example of a hybrid architectural style encompassing both Boyko and Lemko elements in its design. This is apparent in the large, dominant central tower above the nave, a feature of Boyko design, combined with the three towers descending in height from the bell tower above the entrance area, a feature of Lemko style.

The Church of the Intercession was built in 1761 and the original structure is a fine example of Boyko design. However, the addition of a taller bell tower above the entrance area in place of the original tower converted the style of the church from Boyko to Lemko, showing the dominant influence of Lemko style in this region in the early nineteenth century. This modification likely occurred around the year 1800. The largest bell in the tower was taken and melted down as part of the war effort in the Hungarian revolution of 1848, and was later replaced with a new bell in 1899.

According to some accounts the church originally stood in a nearby village and the people of Kostryna purchased it and moved it to its present location in 1703. The church has been lucky to survive until the present day; in the 1860s the villagers planned to replace the wooden church with a new stone church on the same site, but a lack of funds prevented this from happening. Enough money for a new stone church was finally collected by 1914, but the outbreak of World War One stopped construction, and following the war devaluation of the currency they had collected prevented construction of a stone church yet again.

Kostryna can be reached from Uzhgorod by elektrichka (regional train) or by marshrutka (minibus). There are several buses and trains per day travelling in each direction, so making a day trip to Kostryna from Uzhgorod by public transport is possible. The minibuses are usually very full and often uncomfortable, so the train is a more pleasant way to travel there. The beautiful mountain scenery in the region is more easily seen from the windows of the train as well.

Bodružal, Slovakia

This Greek Catholic church is found on a small hill above the village of Bodružal among the forest covered mountains in the north-eastern corner of Slovakia. The church is dedicated to Saint Nicholas and was built in 1658, making it one of the oldest churches with a Lemko design in the Carpathian region. It was designated as a UNESCO World Heritage site in 2008 together with seven other wooden churches in present-day Slovakia.

The three-part Lemko design (narthex, nave and sanctuary) are intended to represent the holy trinity. An onion dome projects above each of the three room sections with the highest dome placed above the narthex (entrance room) which is a typical feature of the Lemko style. The tower above the entrance contains three bells, the oldest of which was cast in 1759. The iconostasis wall in the interior is entirely original, dating from the 17th century, and is one of the finest examples of icon painting in this region of the Carpathians. The church grounds are surrounded by a low wooden fence with a main wooden entrance gate with a small shingled roof.

The church is in use at least weekly with regular services held on Sunday morning. The key keeper lives 50 metres down the road from the church and since this is a popular church with tourist visitors it's usually not a problem to find someone willing to come and open the door. They will expect an entrance fee of about two Euros per person to be paid, and donations can be left in front of the icons.

There is no direct transportation to Bodružal, but it is an easy 15 minute walk from the village of Krajná Poľana which is on the main road between Svidník and the Polish border and there are frequent buses throughout the day from Svidník. A walking trail through the forests connects four villages with wooden churches (Bodružal, Príkra, Miroľa and Krajné Čierno) which makes a perfect day hike to experience both the villages and the surrounding countryside.

Tarnoszyn, Poland (Now in Lublin Outdoor Museum)

This Greek-Catholic wooden church is dedicated to the Nativity of the Blessed Virgin Mary and is now located in the Outdoor Folk Architecture Museum in Lublin, Poland. The church was originally constructed in 1759 in the village of Uhrynów (Uhryniv in Ukrainian) which is now part of Ukraine.

In 1904 the church was moved further west to the village of Tarnoszyn, which today lies in Poland just a few kilometres from the Ukrainian border. Following the expulsion and resettlement of the Greek-Catholic population of the village following World War Two, the church was used for Roman Catholic services until the early 1960's. Over the following decades the church was abandoned and fell into ruin.

In 1994 the church was purchased by the Greek Catholic parish in Lublin, and in 1997 it was transported to its present site in the Lublin Outdoor Museum. Extensive renovations were carried out between 1999 and 2001, and the interior fittings including the iconostasis were completely reconstructed.

The church features a classic Boyko style with a three-part design (nave, narthex and sanctuary) each topped by a dome with the largest dome placed above the nave. The design of the entrance area with a porch and four pillars is very unusual and is likely not an original feature of the building plan. The lowest part of the structure reveals the original horizontal log construction while the upper portions are covered in a modern vertical timber facade. Next to the church there is a large wooden bell tower which was also transported from Tarnoszyn and includes a cone-shaped roof over the bells.

The Lublin Outdoor Museum is located in the north-western suburbs of the city and can be easily reached by city bus from the old town. The museum is very large, you could spend most of a day seeing all of the different building styles and regions which are displayed.

Yasinya, Ukraine

This originally Greek Catholic wooden church sits on a small hill above the village of Yasinya and the Chorna Tysa river among the Carpathian mountains of Ukraine. The church is considered to be one of the finest examples of the Hutsul architectural style and few modern alterations have been made to the building, two factors which contributed to its selection as a UNESCO world heritage site in 2013. According to a Hutsul legend the church was built on the site where a flock of sheep miraculously survived through the winter unharmed after being left behind by a shepherd in a snowstorm.

The Church of the Ascension was built in 1824 on the site of an older church, though some accounts suggest the current church is from the late 18th century. It is frequently referred to by locals as the 'Strukivska' church. As a perfect example of the Hutsul style it features a floor plan in the shape of a cross, a large central dome above the nave with an onion dome at the top and four much smaller onion domes at the four corners of the building. A minor addition was added to the structure of the church in 1994 when a wooden entrance room was added onto the side in the same style as the rest of the church.

Unfortunately the interior of the church is not in its original state, and the icons and iconostasis are crudely crafted versions of the originals. The overall effect is warm and welcoming, but without a feeling of true authenticity. There are many brightly coloured icons and paintings on the upper walls and dome of the roof, which intentionally draw your eyes upwards to heaven. Since 1995 the church has been used jointly for Orthodox and Greek Catholic services.

The broad bell tower was built in 1813, supposedly a decade before the current church, and is equally impressive as the church in terms of its architectural significance. The structure has an octagonal upper floor where the bells are kept and a lower floor shaped like a square. If you are lucky enough to find the key keeper in the house below the church you will be able to climb to the bell platform in the tower for views of the church and the village. In return for opening the church and bell tower for visitors they expect that you will make a small donation to the church and perhaps buy one of the postcards they have available.

Yasinya is one of the easiest Hutsul villages to visit by public transport since it is directly on the main road running east to west across the Carpathian mountains in this region and many buses and marshrutkas use this route to travel between cities like Uzhgorod and Mukachevo on the western side of the mountains and Kolomiya, Ivano-Frankivsk and Chernivtsi on the eastern side. The bus and marshrutka station is in the centre of the village on the main road, and to reach the church from there you will need to walk about 1.5 kilometres south through the village and then across the river to the west on a rickety old bridge with wooden slats. From there the church is visible on the hill just to the south, though finding the way there can be confusing through the maze of narrow streets between the houses and fenced pastures.

Hărnicești, Romania

This Orthodox church stands on a small forest-covered hill in the village of Hărnicești in the Maramures region of northwestern Romania. It was built in 1770 on the site of an older monastery, and was dedicated to the Birth of the Virgin Mary. It is close to several other wooden churches in the Mara valley such as the one in the neighbouring village of Desești.

The church has a very irregular design when compared to other nearby churches in the region, and this is the result of a series of restorations and additions which have occurred through the centuries. In the original design the tower of the church was considerably taller than it is today and the length of the nave was several metres shorter. The first major changes were made in 1893 when a newly enlarged narthex (entrance room) was added on to the end of the nave, and when the old interior wall between the nave and the original narthex was removed the nave was also enlarged in size.

In 1911 a porch was added on the southern side of the nave with an extension made to the roof line with wooden pillars added to support the weight. The original decorated entrance portal on the western side was moved to the southern side to form part of the new entrance area. In 1942 the original iconostasis was replaced with a larger modern one, and in 1972 the tower was moved from its position above the end of the nave to a new position above the extended narthex.

The interior contains several valuable icons, the finest of which are 'Ascension to Heaven', 'The Annunciation' and 'Entry into Jerusalem'. These icons have been displayed internationally as part of touring exhibitions of Romanian folk art. The rest of the interior is not particularly memorable, so the local villagers have compensated for this by decorating the church both inside and out with white scarves and colourful flower arrangements attached to the eaves.

The addition of the bright scarves and wildflowers adds much to the overall impression given by the church, since these decorations are not seen in such abundance on other churches in the region. Around the exterior walls of the church below the eaves are the framed pictures of the Stations of the Cross which are used by worshippers during religious services. On the southern exterior wall of the nave there is a 'clapper', a wooden board which is struck to create a high-pitched sound which traditionally would have called the villagers to masses. A decorative wooden cross with a shingled roof covering it can be seen beside the pathway on the way up to the church from the entrance gate by the road.

The village of Hărnicești is directly on the main road between Sighetu Marmației and Baia Mare, so a number of buses pass through daily. Sighet is a good place to use as a base for exploring the region of Maramures and it has good onward transport connections by train and bus to other parts of the country. There is also a border crossing to Ukraine just north of the city if you would like to see some of the wooden churches in the neighbouring Zakarpattya region.

Sat Șugatag, Romania

This beautiful church stands in the centre of the village of Sat Șugatag, located in the Mara river valley in Romania's north-eastern Maramures region. Nearly every village in this part of Maramures has a historic church, but the one in Sat Șugatag is among the most impressive structures to have been built by the skilled Maramures craftsmen. The date of the construction of the church is thought to be 1642, and it is dedicated to Saint Parasceva.

The interior contains fragments of the original mural paintings from 1753, but most of the painted decorations are more recent. The narthex (entrance area) has a higher ceiling than is typically seen in Maramures churches, and on its western side there is an impressive image of the Last Judgement. The well-proportioned nave is shaped like a barrel vault and is decorated with 19th century paintings. The sanctuary also has biblical scenes which are painted directly onto the wooden walls.

The frame for the front door is lavishly decorated with braided rope designs and a series of interlocking triangles, which is a common folk design in the Maramures region. Braided ropes start on both sides of the door and continue right around the full length of the church, about one and a half metres above the ground (see the fifth picture from the top).

The double set of eaves and the huge mass of wooden shingles on the roof surface draw the viewer's eye to the end of the roof lines, where there are two small metal crosses affixed. The height of the tower and the steeple is considerably less than that of some other churches in the region, but the overall proportions of the building create a pleasantly balanced effect. Around the exterior walls under the lower set of eaves there are a series of framed pictures attached which are used as the Stations of the Cross during religious services (see the picture below).

A cemetery surrounds the church on three sides, with grave markers from many different eras and in a variety of styles. Most are made of carved wood (see below) and some are shaped like crosses while others are closer in appearance to those in the famous Merry Cemetery in Sapanta with a painted picture of the person going about their daily activities and a short poem describing them.

A typical wooden Maramures entrance gate stands in front of the church, with two side doorways for visitors. The designs carved into the beams of the gate include crosses and other traditional Romanian folk patterns. Such monumental gates are also built in front of people's homes in the region, and the larger and more impressive the gate the greater the status of the family who lives there.

Visiting Sat Șugatag and other Maramures villages with wooden churches can be difficult without your own transport, so hiring a car in Cluj-Napoca or Sighetu Marmetiei is advisable if you want to visit several of them quickly. Sat Șugatag is on the main road between Baia Mare and Sighetu Marmetiei, so there are a few buses per day which pass through in each direction. Sighetu Marmatiei is connected by train with Cluj-Napoca and the rest of the country and also makes a good base for exploring the region of Maramures. It is also a border crossing point into Ukraine, where many more wooden churches can be seen in the villages of the Zakarpattya region.

Maršíkov, Czech Republic

This large timber church stands in the small village of Maršíkov in the Jeseníky region of North Moravia in the Czech Republic. It was built in 1609 using wooden beams taken from an older wooden church which had been dismantled in the nearby town of Velké Losiny. The wooden church in the village of Žárová, a few kilometres north of Velké Losiny, was constructed in 1610 with wood taken from the same dismantled church.

The church in Maršíkov was originally Lutheran, and was dedicated to the Archangel Michael. It is considered to be one of the finest examples of late-period Renaissance folk architecture in the Czech Republic. Up until the early 1900's a low stone wall surrounded the church and the village cemetery which was located directly behind it. The cemetery was moved to a location on higher ground further away from the road.

The interior contains unique Rococo-style decorations from the late 18th century. The main altar includes a painting of the Archangel Michael, while the side altars depict the Virgin Mary and Saint John of Nepomuk. The walls of the nave are covered with timber boards with overlapping joints and are painted in dark red and grey. In the choir above the entrance area there is an organ from the 18th century.

The wooden steeple at the centre of the roof line is topped with a large onion dome which is grander in scale than those usually seen on the 17th and 18th century wooden churches found in this region. The dovetail joint interlocking system used to connect the ends of the wooden beams is typical for wooden churches in Silesia and northern parts of Moravia and East Bohemia.

The key for the church is kept by the family which lives in the house directly in front of the church entrance. They are used to opening it a few times per week for Czech and German bus tour groups, but they may be a little hesitant to do so for individual tourists who come unannounced, especially if they are busy with other activities. Offering them a donation for the church (50 to 100 crowns) might provide the right encouragement.

The village of Maršíkov isn't serviced by buses very frequently, but it is an easy two-kilometre walk from the town of Velké Losiny, which has frequent train and bus connections with Šumperk and Zábřeh, both of which have regular connections with Olomouc, Prague and other parts of the country. There are several restaurants and accommodation options available in Velké Losiny because tourists come to visit the spa, chateau and hand-made paper museum in the town and use it as a base for hiking in the Jeseníky mountains.

Nová Polianka, Slovakia (now in Svidník outdoor museum)

On a hill above the town of Svidník in north-eastern Slovakia lies the Ukrainian and Rusyn Village Museum, a collection of farm buildings, windmills and other historical wooden structures gathered from the surrounding region. The highlight of the museum is the Greek-Catholic wooden church originally from the small village of Nová Polianka, a few kilometres south of Svidník.

The church was built in Nová Polianka by local craftsmen around 1766 (some sources suggest as early as 1763) and was dedicated to Saint Paraskeva. During World War II the church and the village were badly damaged, and a newer brick church built in the 1930's became the main place of worship for the villagers.

The wooden church continued to be used for services until 1960, but in 1961 its condition had deteriorated enough that it was torn down. In the 1980's plans were made to found the Ukrainian and Rusyn Village Museum in Svidník, and it was decided that the church from Nová Polianka should be fully reconstructed for the museum based on the original architectural plans.

Eighteenth-century icons and interior fittings were collected from several different Greek-Catholic churches in the region and used to decorate the interior of the rebuilt structure. The church was opened as a part of the Village Museum in 1986, and since 1993 occasional Greek-Catholic masses and other religious services have been held there.

Built from pine wood, the church has a three-section floor plan in the typical Lemko style, with three accompanying steeples and beautifully decorative wrought-iron crosses above. The steeples and crosses are arranged in height with the highest above the entrance room, the middle one above the nave, and the lowest one above the sanctuary.

The wooden walls of the interior of the original church in Nová Polianka were covered in paintings of scenes from the Bible, but these were not recreated for the church in the museum. The iconostasis dates from the early 18th century and came from a church in a nearby village. There is a royal door at the centre of the iconostasis but the deacon doors for the two side entrances into the sanctuary are missing.

Standing next to the church is a wooden bell tower with a pyramidal shingled roof and an onion-shaped steeple topped with a cross. Two bells have been installed in the tower and are rung on special occasions. surrounding the church and bell tower is a low wooden fence with a shingled top in the Rusyn style which is typical of this region of the Carpathians.

The Village Museum in Svidník is open daily except Mondays from the beginning of May until the end of October. A Rusyn-Ukrainian folk festival is held in the village museum every year in June, attracting thousands of visitors to the event. Svidník is not connected to the railway network, so the most convenient way to get there by public transport is by bus from Prešov, Košice or Bardejov. Regular buses also run north from Svidník to the border with Poland at the Dukla Pass, where it is possible to catch a bus on the Polish side to the town of Krosno.